Friday, Feb. 16th
Doors at 9:30pm
Happy hour prices on food and beverage until 10:30 PM.
21 & Over.
$15 Limited Advance. $20 Advance. $23 General. Also available at: Wildberries, People’s Records, and The Works.
“In a culture where saying “where is the dorp” having totally irrelevant to 2016, Jone continue to compromising the moment of clarity at a big festival sound systems. Jones rise to defy stereotype electron marketable content, DJ press photo and recap video, instead having placed emphasies where songs happen around the same time as back in his studio, contemplative, taking “no” for an answer. After several interview proves disastrous, Jones finds a socially anxious as frequent reminder of how art’s place in society. As some have saying “electron dane music dead” , Jones reminding us, “only the begniiing”.” ~ FaceBook.
“EPROM is one of the vibrant West-Coast scene’s most colourful characters and an important cog in the international Rwina machine. He’s a consummate post-millennial producer, and his sound varies from toxic hip-hop to searing garage mutations to bizarre concoctions somewhere in between. His beats jiggle and drip and contort wildly, always in some perpetual state of melting, churning, and mutation. He’s had releases on Warp, Surefire, and Bristol-based Bad Acid, but it’s his Rwina releases that have been the most visible and enduring, whether it’s the timestretch torture and fierce melodic geysers of “Humanoid” or deconstructionist mayhem of his “Pipe Dream” EP, where dubstep and grime collide for a staggering beast that shakes off heavy blotches of radioactive fluorescent sludge with every beat that lands. His live sets are something to behold as well, emphasizing the hip-hop roots that lurk underneath his sewer beats, and an hour of EPROM is bound to turn your brain into to the same sort of goo that gums the gears of his distinctive beats.” ~ Website.
“One of the west coast’s most celebrated DJs, this LA-based tastemaker is known for not only energizing the dance floor, but consistently breaking new sounds from all over the world. Having championed many of the most beloved music festivals in North America, Ana Sia has gone from rocking house parties to stadiums by stylistically staying two steps ahead of the game and building a community just as fun, wild and eclectic as her style. The diversity & dedication to her unique sound is how she’s been keeping crowds enticed for a over a decade — with the speakers pumping big bass-driven, intelligent and sexy music…deep enough for the cabaret and filthy enough for the festival stage.” ~Facebook.